Alser Lumawag's 2026 Collection Is a Tribute to the Filipino Journey Home
In this exclusive, the Iloilo-raised designer talks to Preview about his latest lineup, Kalbangan.

Published on Oct 20, 2026
Two years after launching his brand, ALSR, Alser Lumawag presents his sophomore collection, Kalbangan. Drawing from his experiences as a corporate employee and his upbringing in Guimbal, Iloilo, the designer reflects on the realities of the Filipino working class and the enduring longing for home.
“I realized that these [last] two collections tell a story that extends beyond my own experience,” he tells Preview. “Many Filipinos leave their hometowns to pursue opportunities, work tirelessly to provide for themselves and their families, and look forward to the moments when they can finally return home.”

Over the years, ALSR has established a distinct design language defined by fabric manipulation and the deconstruction of utilitarian garments. Since becoming a finalist at the 2025 Bench Design Awards, the label has gained traction in the local fashion scene, with its pieces worn by the likes of Jericho Rosales, BINI, and Kathryn Bernardo.
Through his body of work, Alser remains committed to telling stories through clothing, exploring Filipino identity and craftsmanship while bringing the lived experiences of the working class into focus.
“Going beyond traditional textiles, ALSR celebrates Filipino identity through the way we live, work, and connect with the world around us,” he notes.
In this exclusive, the emerging designer discusses his creative journey and the ideas that shaped his latest collection.
Alser Lumawag on His 2026 Collection, Kalbangan
In 2025, Alser debuted his first collection, Please See Attached, as a finalist in the Bench Design Awards. The lineup drew heavily from his experience as an employee at a government-owned bank, where he was surrounded by fax machines, shredders, computers, and towering stacks of paper files. This imagery of a mundane office inspired his interpretation of workwear, expressed through deconstructed details and exaggerated utilitarian elements.
In many ways, the collection offered an early glimpse into his design ethos and introspective approach to fashion.

Kalbangan is a Hiligaynon term that refers to a main road, principal route, or passage. It is derived from the root word lábang or labangán, which denotes a passageway.
True to its name, Alser’s 2026 collection traces the journey home through his perspective.
After spending years working in Manila, he often finds himself thinking about his hometown. “Growing up in Guimbal, Iloilo, I know that returning to the province is not always easy,” he muses. “The journey can involve long hours of travel, overcrowded jeepneys, multiple modes of transportation, and walking along unpaved roads just to reach home.”
These familiar scenes also inform the collection’s campaign imagery. Models are photographed aboard a crowded jeepney and traversing an offbeat path before finally arriving at an ancestral home. Altogether, the visuals capture the arduous journey back to the province and the comfort that awaits at the end.
“Yet, no matter how tiring the journey becomes, there is a different kind of comfort in knowing that you are going back to the people who have always supported you,” he shares.
Alser sees the narratives of his work as part of a broader story about the Filipino working class.
“Many Filipinos leave their hometowns to pursue opportunities, work tirelessly to provide for themselves and their families, and look forward to the moments when they can finally return home,” he articulates.
“Through Please See Attached and Kalbangan, I wanted to explore both sides of that journey: the weight of working life and the longing for a place where we can rest and feel whole again.”

For the collection, Alser looks to objects and details he commonly encounters on his trips back home. Sako bags, for instance, inspire a patchwork of plaid fabrics, while voluminous cargo bottoms and an abundance of ribbon details introduce a mix of colors and textures to the lineup.
The collection also retains the hallmarks of ALSR’s design language, with repetition and deconstruction running throughout. Corduroy trousers receive an intentionally disheveled treatment, vibrant neckties are reworked into a top and a sling bag, and contrasting textiles come together in a boxy shirt.

“Despite [the] challenges [that comes with travelling home], I wanted the collection to reflect the joy and excitement of coming home,” he explains.
“It reflects my own experience of traveling home to Iloilo, while celebrating a shared Filipino experience: no matter how difficult the journey may be, there is always joy in finding our way back.”
ALSR’s 2026 Collection, Kalbangan
For inquiries about pieces from the collection, visit ALSR’s official Instagram page, @als_______r. The brand also accepts requests for special sizing and customization.
Follow the page for announcements on upcoming releases and future pop-ups.

Photographed by Neil Aldrin Perio. Art directed by Kenneth Pizarro. Styled by Christian Dale Ines. Fashion film directed and written by Edgar Joseph Direcho. Cinematography by Serge Alfred. Make-up by Brianna Javelona. Models: Range Guillema, Shaima Al Yansuri, RJ Diaz, and Angelika Espejon. Production Team: Tom Jude Gomilla and Mark Igor Gayoba. Accessories by Marikakao Studios.

Pau is Preview’s go-to fashion girl. On most days, you’ll find her with coffee in hand, and dressed in an oversized blazer with floor-grazing jeans.